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SLEEPING WITH SKELETONS, Doralynn Kennedy

DAYS OF GOLD
DAYS OF GOLD
by Jude Deveraux
Award Winning Books
Award Winning Books
  THEMES
Rags to Riches/Riches to Rags

When Professor Henry Higgins offered to make-over Eliza Doolittle in "My Fair Lady," feminists were outraged, but romance enthusiasts knew this was romance in its purest form… A "good" girl, led astray by circumstances, has an opportunity to better herself, find wealth and love. While a Rags to Riches plot changes the heroine's physical circumstances, it psychically transforms the hero. Riches aren't always fiscal and the "Pygmalion" is both student and teacher. But if the story is reversed, the lessons of love are switched, too! When a heroine goes from Riches to Rags, she is the one who experiences the emotional metamorphosis and learns what is truly important!

These two classic themes aren't quite the opposites they seem. In fact they both demonstrate that fantasy revolves around both happiness and wealth, in what ever form. In a Rags to Riches romance, the lovers find that money isn't everything and love will conquer all prejudice. Curiously, a Riches to Rags romance teaches a similar lesson: money isn't everything and love will transform any inequities. But true to form, neither romance ends happily if the lovers don't have it all: humanity, love and wealth. Both love stories must end prosperously if the reader is to be satisfied!

What's The Appeal?

Who doesn't dream of winning the lottery? It's the perfect fantasy, the cure-all that will solve everyone's problems. Although we know money isn't everything, it sure does improve the quality of life. Many of us believe goodness will be reward, so why not with a cash reward!?

In a Rags to Riches romance, the heroine usually comes from a common background and is transformed into a lady by the hero, thus becoming worthy of his love. The heroine in turn offers the hero a powerful exchange: she teaches him what is of real value–goodness, spirit and love.

But after reading a Rags to Riches romance, if you think money isn't everything, try turning this theme upside down. Take away the wealth from the heroine and what happens? Usually the heroine, who lacks a greater sense of humanity, is taught to appreciate inner worth by the hero. But would the romance be successful without the gaining of great wealth in the end? Usually not. These stories don't work unless they are Riches to Rags to Riches again. The fantasy just won't be complete for the reader without the proof that love is golden!

Class-based societies intensify the disparity between the very affluent and the indigent. But romantics can see beyond the surface to what really counts. These popular themes act as levelers, for despite the seeming differences between the classes, having great wealth really doesn't mean you have it all. In fact usually it takes exposure to a person who has "nothing" to make the hero or heroine aware that they have much to change before they will find real happiness and love.

Romantics know that it is the inner spirit that is rich. Love has the power to transform the "uncivilized" and gives the overly-socialized the opportunity to value what is really important: humanity. In either romance, goodness is its own reward.

-Kate Ryan



RECOMMENDED READS

(Note: The list below was compiled at press time: Romantic Times Issue #158, May 1997)

Regency Historicals

  • A COUNTRY MISS Emily Hendrickson (Signet)
  • WILD HEARTS Virginia Henley (Avon)
  • GABRIEL'S BRIDE Samantha James (Avon)
  • WICKED Susan Johnson (Bantam)
  • RAGS TO RICHES Brenda Joyce (St. Martin's)
  • LADY IN BLUE Lynn Kenston (Harper)
  • ONCE UPON A DREAM Katherine Kingsley (Dell)
  • INNOCENCE UNDONE Kat Martin (Dell)

19th Century Historicals

  • ELUSIVE CARESS Rosalyn Alsobrook (Zebra)
    NY/Penn
  • STRANGER AT WILDINGS Madeleine Brent aka Peter O'Donnell (Fawcett)
  • GOLDEN URCHIN Madeleine Brent aka Peter O'Donnell (Fawcett)
  • MERLIN'S KEEP Madeleine Brent aka Peter O'Donnell (Fawcett)
  • COPELAND BRIDE Justine Cole aka Susan Elizabeth Phillips (Dell)
  • FOR THE ROSES Julie Garwood (Pocket)
  • THE IRISH GYPSY/ENTICED Virginia Henley (Dell)
    England/Victorian Ireland
  • DREAMING OF YOU Lisa Kleypas (Avon)
    Victorian England
  • THE BRIDE OF THE UNICORN Kasey Michaels (Pocket)
    1845 England
  • LADY RELUCTANT Maggie Osborne (Pageant)
    Victorian
  • JANE EYRE Charlotte Bronte (Penguin)
  • RISEN GLORY Susan Elizabeth Phillips (Dell)
  • A FIRE IN THE HEART Katherine Sutcliffe (Avon)

Miscellaneous Historicals

  • VENUS Jane Feather (Bantam)
    1600s England
  • BREATH OF MAGIC Teresa Medeiros (Bantam)
    Time-travel
  • MIDNIGHT & MAGNOLIAS Rebecca Paisley (Avon)
    Americana
  • LOVING JULIA Karen Robards (Warner)
    England 1840s
  • ASHES IN THE WIND Kathleen Woodiwiss (Avon)
    Civil War
  • THE FLAME AND THE FLOWER Kathleen Woodiwiss (Avon)
    Colonial

Mainstream Contemporaries

  • 22 INDIGO PLACE Sandra Brown (Bantam)
    Georgia
  • THE BLACK HUNTER Jane Donnelly (Harl. #2187)
  • STREIKER'S BRIDE Robin Hardy (Nav Press)
  • AFTER THE NIGHT Linda Howard (Pocket)
  • OUTLAW DEREK Kay Hooper (Lvspt. #256)
  • THE MAIN ATTRACTION Jayne Ann Krentz (Harl. #103)
  • ALL THAT GLITTERS Susan Kyle (Warner)
    Texas/New York
  • LUCKY Sharon Sala (Harper)
  • DIAMOND Sharon Sala (Harper)
  • THE SILVER FOX AND THE RED HOT DOVE Deborah Smith (Lvspt. #450)
  • MIRACLE Deborah Smith (Bantam)
  • HEART'S DESIRE Margaret St. George (Harl. Am. 272)

Historicals

  • THE MAIDEN Jude Deveraux (Pocket)
    Victorian
  • MY STEADFAST HEART Jo Goodman (Zebra)
    Victorian
  • THE ENCHANTMENT Kristin Hannah (Fawcett)
    Victorian West
  • NO SWEETER HEAVEN Katherine Kingsley (Topaz)
    French Vineyard 1800s
  • GONE WITH THE WIND Margaret Mitchell (Avon)
    Civil War Era
  • REMEMBRANCE Danielle Steel (Dell) 1940s
    Europe & America

Contemporaries

  • ONE AND ONLY Barbara Bretton (Berkley)
  • SLOW HEAT IN HEAVEN Sandra Brown (Warner)
  • THE AWAKENING Patricia Coughlin (Silh. 804)
  • LEFT AT THE ALTAR Justine Davis (SIM #596)
  • THE WIDOW'S MITE Emma Goldrick (Harl. 1576)
  • LUCKY'S LADY Tami Hoag (Bantam)
  • STEP INTO MY PARLOR Jan Hudson (Lvspt. #397)
  • PRINCE JO Suzanne Brockmann (SIM #720)
  • STOLEN HEARTS Michelle Martin (Bantam)
  • PERFECT Judith McNaught (Pocket)
  • FANCY PANTS Susan Elizabeth Phillips (Pocket)
  • GLITTER BABY Susan Elizabeth Phillips (Pocket)
  • HOT SHOT Susan Elizabeth Phillips (Pocket)
  • KISS AN ANGEL Susan Elizabeth Phillips (Avon)
  • WOMAN WITHOUT A NAME Emilie Richards (SIM #751)
  • PICTURES OF EMILY Theresa Weir (SR #761)
  • LONG NIGHT MOON Theresa Weir (Bantam)


More Themes

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